James Ellroy (Get this book)
Though it pivots on the Pearl Harbor attack, this worm's-eye view from
thoroughly corrupt Los Angeles is a war novel-like no other.It's
complicated, and the author wouldn't
have it any other way. There's no telling the good guys from the bad in
Ellroy's Los Angeles, because there are no good guys. The major
distinction between cops and criminals is that the former have the power
to frame the latter and kill the innocent with impunity, which they do without conscience or moral compunction, often in
complicity with the government and even the Catholic Church. With
his outrageously oversized ambition, Ellroy has announced that this
sprawling but compelling novel is the beginning of a Second L.A. Quartet. The
plot follows a tick-tock progression over the courseof three weeks, in
which "dark desires sizzle" and explode with a furious climax. Ellroy is
not only back in form-he's raised the stakes.--Kirkus
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